JUMBO POP IS NOW DAVID HOPKINS

PRESS RELEASE Effective immediately: In a startling turn of events, Jumbo Pop has decided to retire from comics. This decision was prompted by a fear of selling out through trying to do something. It was stated in an earlier press release that his graphic novel would be released sometime "around August 2020." Jumbo Pop went into a drunken rage this afternoon, shouting repeatedly: "You can't put me on a time table!" and "I'm not a story factory!" After sobering up, Jumbo Pop made an official statement to the press: "I retire today knowing I leave with my artistic integrity in tack. I must not have anyone place any expectations on me or my work. The fact that some people even called me a writer means you expected me to write. That's not how it works. Don't box me in. And stop quoting me, damn it!" Jumbo Pop then ran off, crying.

In related news, David Hopkins will resume writing this evening.

DAVID HOPKINS IS NOW JUMBO POP

PRESS RELEASE Effective immediately: I am changing my name from David Hopkins to Jumbo Pop. This was not an easy decision for me. However, after 32 years of being called "David Hopkins," the brand (through excessive mismanagement) has lost value in the hearts and minds of comic book readers. I spent a few months in test marketing; I am certain Jumbo Pop will be a hit. With this re-branding, I am now cooler, more eccentric, and I cuss more. Comic book readers want talent who have an iconic image. Something that says, "I'm wildly creative and you can tell by the calculated way I present myself." As Jumbo Pop, I will wear a white suit, smoke cigars, and wear large non-prescription glasses. At the time of this press release, it has not yet been decided if I will keep my beard and at what length. Expect a follow-up press release with this information. Although, I am definitely going bald and getting a few gray hairs.

David Hopkins failed as a brand for many reasons. Mostly due to a failure to use the phrase "critically acclaimed" in self-written bios. It was common knowledge that David rarely slept, and would stay up every night until 2 AM writing. That's just sad. Jumbo Pop will sleep. A lot. David talked about his daughter often, and the strong "father image" did not test well in certain markets. As Jumbo Pop, I will still be a father, but there have been negotiations to change my daughter's name to "Fruit Bat" and have her start an experimental 8-bit electronic band. The mother Melissa Cassidy Hopkins was not available for comment.

What can fans expect from Jumbo Pop? No more short stories and one-pagers. As the name would imply, all comics will be epic in scale. Any graphic novel project shorter than 500 pages will be rejected. Jumbo Pop's first graphic novel is expected in stores around August 2020. In the meantime, Jumbo Pop is pleased to talk about his successful career as a writer of works not yet published. Please direct all interview questions to his agent David Hopkins.

MY EVIL ROBOT TWIN

Fanboy Radio used to publish a regular web comic illustrated by a group of my friends. One of my favorite stories was the "evil robot twin," created by Jeff Elden. Jeff is such a talented cartoonist. He has great pacing and comedic sensibility. The art is whimsical and simple, in the best kind of way: free of clutter. Amen. I wish more comic book artists would strive for such an approach. It's been awhile since I've seen Jeff and Justin and Jim. Hopefully, I'll get a chance sometime soon. Another road trip?

With Jeff's permission, I'm re-posting the "evil robot twin" comic. Enjoy.

TAX TIME

What time? Tax time! I'm working on my taxes, and I have Turbo Tax assisting me in the effort. When Melissa and I were married, she loved doing the taxes. It was a little creepy. Of course, we had a house, a child, and neither of us made much money, so we usually got a decent-sized return... that went back to the house or the child. However, now? I still don't make a lot of money, but last year I owed. I'll probably owe again this year. I started grumbling to April about how I barely make any money and the government still wants more. April has no sympathy, and reminds me that this is the price I pay for wanting the IRS to acknowledge "comic book writer" as my second income. I made more money in 2009 as a comic book writer than ever before. And it looks like I will make even more in 2010. I calculated that I need to make 15x what I made in 2009 to be full time. (Need to get some more comics published.)

I had a question about the sacred 1099MISC form. I received one from D Magazine, but not from some of my other clients. Do you file it as if they did send you one? Otherwise, where do you put this freelance income? I posed the question to my friends on Twitter. I received quite a range of advice, all from experienced freelancers. Most names have been withheld, just because.

"There should be a place to put income that you didn't receive a tax form for. You just enter the amount & the name of the co."

"Yes, if you don't it'll come back to bite you next year. All you need is the amount, their address and tax id."

"Even w/o a 1099, you're SUPPOSED to report any amount over 500. Lots of people don't. Your call really."

"You need to contact the company to request a copy of the 1099. Hope this helps. ^C" (from @TeamTurboTax)

"yes, report the income. I think it goes in as Other Income. Sorry I can't be more specific. Haven't used turbotax in a while"

"the best tax advice i can give you is hire a pro. ill never do turbotax again"

I emailed my clients to see if they should send a 1099MISC. I figured they would know, since they run the business and such. Everyone responded that since it was less than $600 (I'm a cheap date), only income over this amount is reported to the IRS. However, since my total from all clients is more than $600, it seems like I need to report it all. Yes?

I'm calling my dad to ask him. He's an uber-genius business man.

And with Kickstarter, how do I claim the $1,156.83 I raised? Do I claim the pledges as "individual gifts"? You only have to claim gift amounts over $10,000. If I did that, am I still able to deduct the $1,200+ I spent in business expenses to print and ship those comics?

And come on, can you really claim comic books as a business expense?

This doesn't stress me nearly as much as it fascinates me. Don't worry, Mr. IRS-who-is-scanning-the-internet-for-audit-victims. I'll figure it all out.

However, I think I need to do things differently next year. First, I'm reading MY SO-CALLED FREELANCE LIFE by Michelle Goodman. I'm also going to pool some money together with other local comic book creators, and bribe a financial adviser (someone who specializes in creative freelancers?) to offer a full-day workshop to cover all this stuff. I'm sure I can find some people who'd pay to get the money issues straight. And yes, I will probably hire someone next year to do my taxes.

I'm also pondering other ways to raise money beyond the traditional writing, publishing, and selling method. Not ready to share any of those ideas yet. Still pondering.

NEW SITE FOR TOM

Where have I been? Apparently, I missed the re-launch of TomKurzanski.com. I don't know when it posted, but it looks good. Make sure to check out the comics section. There are some nice excerpts from KARMA INCORPORATED, ANTIGONE, ONE NIGHT STAND, and the guest strip we did for YOU'LL HAVE THAT. Hopefully, Tom and I will have an opportunity to work together again. We've talked a bit about a new series, a genius kid detective living in a small town. Maybe?

CHERRY GRRL, ET CETERA

Some links and updates... This one is from January 4th. Very proud to have MINE ALL MINE mentioned in Cherry Grrl: Lesbian Entertainment News + Culture. The article talks about the one-page comic illustrated by Cat Staggs and written by me, titled "Darcy." Despite being only four panels of art and 24 words of dialogue, I put a lot of thought into this one, and of course, Cat's art is absolutely sublime. I'm glad Cherry Grrl picked up on all the details. The article mentioned that the comic was written for a friend of mine who recently came out, and that's true. It also adds "and is having a difficult time dealing with it." In all fairness, I don't know if that's completely accurate. I took liberty as a writer to send her a little message, a pat on the back, which I think she needed. I've always been an ardent supporter of gay rights (PFLAG), but I'm hesitant to write gay, lesbian, or bi characters simply to be subversive or exploitative. Certainly, some writers do. That's their artistic choice, and there's a need for that. However, for me, if a character is gay, I want to write them as naturally as I would write a straight character. I think "Darcy" captures that. http://www.cherrygrrl.com/mini-comic-features-lesbian-vignette-among-%E2%80%9Ccasual-encounters%E2%80%9D/

The second to last batch of comics for Design-PT is finished. Cal Slayton posted them on his blog. It was a fun challenge to develop an advertising campaign for an I.T. company using comics. http://calslayton.blogspot.com/2010/03/ads-done-in-comic-book-style.html

Paul Milligan and I finished the May installment of D Magazine's SOUVENIR OF DALLAS. This comic will focus on the re-design of the Texas Giant roller coaster for the 2011 season at Six Flags. I had the chance to interview the director of construction and maintenance, which was interesting. No links yet.

The next WE'VE NEVER MET will be in this Thursday's Quick. Also, the comics archive has been updated on their blog. http://blog.quickdfw.com/archives/comics/

I received my pro registration confirmation for 2010 Comic-Con International. I haven't worked out hotel and travel plans yet, but I'll probably plan it around a visit to see my family in Huntington Beach and attend the convention on Thursday and Friday. I'd like to attend the Eisner Awards. Yes, yes, I know it'll be impossible to book a hotel. I'll figure something out.

JUST SAY "I DO." DAMMIT!

Here's my routine: When I'm not teaching, I'm writing. When I'm not writing, I'm teaching. It's Spring Break, so I'm writing. I did have a day off to go to the Dallas Zoo with Kennedy and April. I also watched A FISH CALLED WANDA (wonderful movie). I was hoping to take today and rest a little bit, maybe play computer chess? However, I'm still not quite done with my big project for this week. Another hour, and I should be finished. Right now, I'm procrastinating by blogging.

This week, I've been working on the message for my friend's wedding. Wim and Brenda are getting married on Saturday, and this will be the fourth wedding I've officiated. I love weddings, but officiating them can be tricky. Every single  word needs to be perfect. It's just 1,600 words -- and I've scrutinized it into the ground. I have notes such as:

"Sweeten up this opening section. Don’t make it sounds like it's coming from a divorced man." "Need a better transition here." "Don't use the word 'die'." "Word repetition. Something besides 'change'." And so on.

Once everything is finished, I'll read through it about ten times -- and then write everything into a smaller notebook. Then, it's just a matter of wearing a suit and reading my script.

The hope is that my words can be a gift to my friend and his wife-to-be. It's an opportunity to be part of a significant moment in their relationship.  I'm honored, and I don't take this stuff lightly. Okay, time to stop procrastinating. Go team.

SMART POP, BETA NO MORE

As my dear friend Leah announced today on the Smart Pop blog, the new and improved site is no longer in beta. If you haven't already, you need to check it out -- http://smartpopbooks.com. It's a fun resource of geeky pop culture essays. Smart Pop has always walked a line that I fully embrace (that's a mixed metaphor). It values pop culture enough to give it serious intellectual consideration and yet loves pop culture enough to not take it too seriously. The revised website has an option where you can "like" certain essays and even buy them individually for 99 cents.

Thus, now would be a perfect time to remind you of my essays: "A History of Violence" (from THE MAN FROM KRYPTON) -and- "Secrets and Secret-Keepers" (from WEBSLINGER)

Even though I'm proud of both, I'll admit I'm partial to the Spider-Man essay. There was an insane amount of research that went into constructing that one. The essay feels a little more focused.

It doesn't seem like that long ago, but from looking at the publication date, it's been three years since my last Smart Pop essay. I need to submit something new,  or see if Leah would let me contribute to the blog. I'm enjoying the weekly LOST recaps by Geoff Klock (most recent), which are now part of my LOST routine. 1. Watch LOST. 2. Listen to Jay and Jack podcast. 3. Visit Lostpedia. 4. Read Smart Pop recap.

Yes, I have a routine. Leave me alone.

IN OTHER NEWS: The latest WE'VE NEVER MET is available (click here). The NX35 storyline continues.

JAM! SNEAK PEEK

Oni Press posted the news on their website. JAM! TALES FROM THE DERBY GIRLS is available for pre-order in the March catalog (order code MAR10 1103). It will arrive in shops this summer June 23, 2010.

Melissa and I collaborated on a story that will be in the anthology, illustrated by TJ Kirsch. You can read it right now, because it's part of Oni's free preview (click here to read our 8-page story). Keep in my mind: the Sacred Laws of Free Previews demand that if you like it, you must pre-order. And I never joke about the Sacred Laws of Free Previews. Digital readers be damned. You can't have your favorite derby girl sign your iPad. You need this book.

Melissa's story originally appeared in my column for Pop Syndicate (click here). It's funny that my first sentence was: "Today's adventure has nothing to do with comic books." I guess now it does. The story is all true. It's Melissa's first derby-related trip to the emergency room. For the Jam! anthology, Melissa wrote what happened in her own words. Then, I asked a few follow-up questions to get the details correct. I took what she wrote and tried my best to covert it into a good script. Editor Jill Beaton (hi Jill!) connected us with TJ Kirsch. TJ's a very talented artist working with Ande Parks on UNCLE SLAM FIGHTS BACK and with Kevin Church on the web series SHE DIED IN TERREBONNE. From our few emails back and forth, he's also a very nice guy.

There you have it. Oni Press and roller derby. Coming June 23rd.

BETTER LIVING THROUGH SUPERIOR TECHNOLOGY

I own an iMac 2.4GHz Intel Core 2 Duo. It's a lovely computer. And for quite some time, I've wanted to make it a little more lovely. So yesterday, I went to Crucial.com and purchased two 2GB, 200-pin SODIMM upgrades. This will increase my RAM from 1 GB to 4 GB. Also, at the Apple Store in Fort Worth, I purchased a 2TB G-RAID Dual-Drive to replace my previous external hard drive. Lastly, I might spend $29 for the upgrade from 0S 10.5 to 10.6 ("Snow Leopard"). And that's where some of my freelance money went. Thank you.

LOADS OF LOCAL COMICS

It's a good week when my comics for D Magazine and Quick both hit at approximately the same time. The next four installments of WE'VE NEVER MET deal with Austin, SXSW, NX35, and the personalities of the various cities in Texas. It's my opportunity to pick on our neighbors a bit. All in good fun, of course. Best of all, we get some quality time with Liz and her band (still unnamed). Since the comic posts every other week, it's tricky to make each one "self contained" and still try to continue a larger story. I have to resist the urge to move too fast with what I want to develop. I could write WE'VE NEVER MET for as long as Quick and Chad Thomas are willing to tolerate me.

The March issue of D Magazine features a new SOUVENIR OF DALLAS (click here). This one was a real challenge. I knew what I wanted to do, but I had to interview everyone and get the quotes. Mike Snider at AllGood was such a nice guy. I could've talked with him for an hour. Pete Zotos of St. Pete's Dancing Marlin returned my call while he was at a Cowboys game! It was a short conversation, but I appreciate his effort. Tim Frazin, owner of Zini's Pizzeria, was a fortunate last minute interview. I was roaming the streets of Deep Ellum at night trying to find a third restaurant after my other interview never materialized. I saw Zini's was open. Tim was there. We had a good conversation. He's a cool guy. In fact, Zini's is also seen in WE'VE NEVER MET. They might become the official pizza of my comics -- like Duff Beer in the Simpson's, but real. Paul Milligan did a great job as always with a script that wasn't the easiest to work with.

Speaking of difficult scripts, David DeGrand finished the first page of our Happy Bullets mini-comic (the song: "F--k Yeah, I'm In Love With You"). It looks great. I went overboard with these scripts. Working with DeGrand and the Happy Bullets lyrics, it's hard not to get a little weird. In fact, "Lead Balloon" might be one of the best comics I've ever written. No words and pitch perfect. No pressure, DeGrand.

In case anyone missed the tweet, Brock Rizy and I finalized our proposal for EMILY EDISON AND THE END OF THE WORLD. http://twitpic.com/156bin

And one more thing I'm excited about, the talented Chris Medellin has launched his webcomic for Roam. Bookmark it. Seriously good work.

WE ARE 1976

There's a new design shop in Dallas called We Are 1976. It's on North Henderson Avenue across the street from Barcadia. They're now carrying copies of KARMA INCORPORATED: POOR MR. WILSON (112 page graphic novel) and ONE NIGHT STAND (32 page mini-comic anthology). Thank you, We Are 1976! If you haven't visited one of the many local comic book shops and would still like to pick up my books, this store is a new option. I hope this is the beginning of a beautiful friendship with We Are 1976. (Although, technically, I'm 1977.) They intend to help develop our creative community, offering workshops and gallery events. So, like all the best stores, they are much more than a store. If they ever want/need someone to talk about writing comic books, I'll be there. Speaking of, I've noticed a lot of people are teaching university classes on comics and graphic novels. Bendis is teaching at Portland State University (click here). Paul Hornschemeier is teaching at the University of Chicago (click here). And Nunzio DeFilippis taught "Writing For Sequential Art" at UCLA. There are more people I'm forgetting.

I need to find out how I can start something in my area. SMU? UTD? UTA? I'm available in the evenings and during the summer.

And I will work for money. It's true.

I have 10 years teaching experience in the public schools, English and Creative Writing. I'm the coach for our UIL Ready Writing team. I led a full day workshop at the McKinney Avenue Contemporary. I've spoken at events hosted by the Dallas Museum of Art, ArtLoveMagic, and The Writer's Garrett. I may not have Bendis's portfolio, but my brain is action-packed with script writing knowledge.

Who knows? Maybe I need to get a few more things in print before I start worrying about this stuff, but I enjoy Creative Writing and it'd be nice to have a few more opportunities -- and maybe someday make the transition from high school to college.

NEW LIVING ROOM

This last weekend, April and I painted the living room. It's amazing how a new color can completely change the look and feel of the entire house.

We still need to hang some art on the walls. Last night, April hung my signed Alan Moore/Todd Klein print (this one). First printing!

It's all part of our 2010 mission to get the house looking good.

This week, I'm working on the last batch of Design-PT comics and the final short story in my "50 Miles to Marfa" comic (to be illustrated by Daniel Warner). I need to write down what I'm going to say at Wim and Brenda's wedding -- the fourth wedding I've officiated. Also, I need to think about the May issue of D Magazine. Once all this is behind me, I can start a massive rewrite for DELTA COUNTY and editing the first draft of HOW TO LOSE BIG.

I keep hoping I'll clear my writing schedule, so I can focus on one big project at a time. It never seems to happen.

MY NEXT MINI-COMIC PROJECT

When your favorite local band has a new album coming out and they ask if you'd like to put together a 'zine to accompany the project, you say "yes." And then, you take the 'zine idea from them and run with it. That's just common sense. If such an opportunity presents itself, you also ask David Degrand to illustrate it. Obviously. It will be another two months before it's available, but here's the wrap-around cover:

Yes, the entire title is: THE HAPPY BULLETS IN ASSOCIATION WITH DAVID HOPKINS AND DAVID DEGRAND PRESENT AN ILLUSTRATED COMPANION PAMPHLET FOR THE ALBUM HYDROPANIC AT THE NATATORIUM. ENJOY.

I checked. You can't twitter the whole title, 22 characters too many.

The booklet will be 12 pages long. It will include six comics based on songs from "Hydropanic at the Natatorium," three essays, and some band interviews. I'll post more information (release dates, etc.) whenever I have it.

MAKES ME SMILE

I finished reading Raina Telgemeier's SMILE a few minutes ago. My daughter and I found the softcover at Barnes&Noble. I wanted a hardcover, so I had to wait for Amazon to ship it. Yes, if I'm excited about a book, the hardcover is almost mandatory. I really enjoyed this book.

I've been a fan of Raina's work for sometime. I first met Raina at San Diego Comic Con, when I bought one of her mini-comics. And not too long after that, I interviewed her on Fanboy Radio's Indie Show. Afterward, I've bumped into Raina and her husband Dave at various conventions. I'm always excited to see what they're working on next. I loved The Baby-sitters Club. Yes, a guy can read The Baby-sitters Club. Raina is a skilled cartoonist. I've been anxiously awaiting the release of SMILE, a memoir about her experience with braces and the social drama of early teenage years.

The book refreshed my memories of that period in my life. I'm 25 days older than Raina. (Thank you, Wikipedia.) From 5th grade to 9th grade, I had braces. I had headgear. I had brackets. I had rubber bands. I had jaw surgery. I had a retainer. Around the same time Raina was suffering through her visits to the Orthodontist, I was also dealing with those god awful spacers and molds, and the Orthodontist tightening the braces until my mouth ached. I remember these events, but I think I repressed the feelings that were involved with those events. It was embarrassing, and I felt like a real nerd/oddball/weirdo/outsider, because braces *are* weird. Fact. I never felt like I could fit in with the more popular kids, and I never felt like I would have a chance asking out pretty girls to the school dance. I hated 6th, 7th, 8th, and 9th grade. However, SMILE reminded me of some fonder moments. I loved reading comics and playing D&D. I loved drawing and writing. I remember when Little Mermaid came out. Yes, it was awesome. I remember The Simpson's first season on television. I remember having a subscription to Nintendo Power. In hindsight, those years weren't too bad. It's funny that after avoiding comics in my later teen years, once I finally graduated from college and "grew up," I came back to comics and those "geeky" things I truly enjoyed. To me, SMILE is more about being okay with who you are than it has anything to do with braces.

For those smarter and more discerning comics readers, we will appreciate the subtle sublime talent of Raina. However, I'm afraid other readers may miss it. When you compare SMILE to a work like last year's highly acclaimed ASTERIOS POLYP, it may feel like these two creators are working in completely different fields. Every page of ASTERIOS POLYP seems to shout: "I. AM. A. GREAT. WORK. OF. LITERATURE. GRRR." It's good, but overwhelming. Whereas SMILE says: "Hey. I'm Raina. Let's hang out. Let me tell you about my life. Cool?" Is POLYP the superior work? Forget those high art and low art distinctions. If we judge a work of literature based on the connection it makes with an audience, my vote is with SMILE. And Raina, since I'm older than you, I'm right.

DALLAS COMIC CON RECAP

It's a little late, but I wanted to post a few thoughts about Dallas Comic Con from two weeks ago (photos on Flickr). Mark Walters and Ben Stevens do a consistently great job running this show. I can't tell if Dallas Comic Con is a small convention that feels big or a big convention that feels small. Either way, it certainly straddles that gulf between the well known "must attend" conventions and the obscure local shows. Mark and Ben bring interesting media guests and a nice variety of comic book creators. They've been very hospitable to the regular locals, and make it feel like this is "our show" too. Brock Rizy, Paul Milligan, and I shared a table. Brock was going to be located near the bathroom entrance, but no one wants that fate -- so we adopted him. It's always nice to have an artist on either side, because I get to watch them work on commissions, which is far more interesting than just trying to sell more comics.

It was cool to see copies of ONE NIGHT STAND everywhere. Several contributing artists were guests at Dallas Comic Con, and they all had their copies. One attendee was going from table to table getting autographs.

My main goal was to distribute the D Magazine/Quick postcards. I went through about 500, and I have 500 left for various locales around town.

After the show on Saturday, a bunch of us went to Freebirds, which was a lot of fun. Foil art!

Later that night, Brock, Paul, and I went to the ArtLoveMagic event at Southside Lamar. I think it was their best event so far. We didn't stay long, but I had a chance to hang out with Jim Mahfood and Kristian Donaldson (who has been super busy lately on Vertigo project 99 DAYS). The event was incredibly crowded. Paul, Brock, and I were asked to move out of the way to make space for a break dance battle. Yes, he used the word "battle." Not that I would ever disparage the fine art of break dancing, but seriously, how many times in one's life are you asked to move so someone can "fight dance"? Call me crazy, but I think they're nerdier than I am.

Sunday was slow, but there was a steady flow of people. Brock, Paul, and I entertained ourselves with the possibility of me changing my name to "Jumbo Pop" and assuming a new rock star comic book persona. Brock and Paul had names, but I can't remember them. Sorry guys. "Jumbo Pop" stole the spotlight. Okay, maybe I am nerdier than the break dancers.

Other Dallas Com reports: Cal | Mahfood | DFW.com | Anyone else? Photos from Dallas Observer Photos from Pegasus News 1 - 2

BETTER ADS THROUGH SUPERIOR COMICS

Cal Slayton and I are working with Design-PT on a comics ad campaign to promote their "core," "flex," and "build" IT services. It's a fun project. They've sent over 30 scenarios, which I tried to communicate in three panel, six panel, and nine panel comics. Most of them have a campy super hero theme. Click here to see some of the finished comics: http://calslayton.blogspot.com/2010/02/comic-book-style-ads.html

I wouldn't mind doing more advertising work. While it's not at the top of my priorities, it would be interesting to pursue -- especially to pay a few bills. I certainly know enough talented artists.

To all the small business owners who read my blog, think about it.

NEW WEBSITE, VERSION 8.0

I've left Blogger (because) and moved to using WordPress. Honestly, now that I've switched over, I can't believe I didn't do this sooner. It is so much nicer to have every aspect of this site contained within my own domain -- blogging, widgets, etc. I don't know enough about CSS stylesheets to design my own site. (Do you remember how simple the last version was? Yeah, I did that myself.) I'm using a theme developed by David Garlitz, which I like: "puts the content at the forefront, without cluttering the user experience with too much 'design.' " I like the newspaper format, where the most recent post is "above the fold." I've received a mostly favorable response. April is just glad I'm no longer using Courier font. With the new site, you lose the joy of simply scrolling through post after post. There's more clicking involved. I tend to write longer posts and usually update only a few times each week, so I don't think you'll miss much. We'll see how people like it and use it. The main content is the same. I have a page of my published works with over 150 pages of previews from my comics and complete short stories, plus script pdfs for anyone who is into that stuff. I also have my press and contact page, which features a variety of random information about me.

I now have my posts tagged and organized in categories. It'll take awhile to get everything updated. There's 1,000 blog posts going all the way back to 2003. A lot has happened in those seven years.

For those who follow me via RSS reader, the link has changed: http://antiherocomics.com/?feed=rss2

Unfortunately, I lost my Haloscan/Echo comments. I couldn't find a way to export them to Wordpress. Thus, that witty retort you made in 2004 about something stupid I wrote? Gone forever. Sorry. The WordPress comments are better integrated with the whole site. No more pop-ups! Plus, I can manage everything from my one Dashboard.

In version 7.0, I had a lovely portrait illustrated by Dave Crosland. For this site, the front page has an image from a random comic I wrote. I will try to rotate the images every day. It's fairly easy to upload. I know there's a javascript where the images will automatically rotate each time you hit "refresh," but I don't want to mess with the stylesheet for fear of crashing my site.

I would also like to find a plugin that allows for easier navigation through the preview images in the published works section. Years ago, I manually added each new page for every preview. That was a pain. I still haven't found the right plugin. Guidance in this area by someone more knowledgeable would be greatly appreciated.

So, welcome. New website. And hopefully, more good news in 2010. Thank you everyone who has supported me and followed my attempts to stumble into a writing career.

UNDER CONSTRUCTION

Yesterday, the fine people at Blogger sent me this message: "We are announcing today that we will no longer support FTP publishing in Blogger after March 26, 2010." Apparently, they don't want me. So, I've left and moved on to better things. Word Press. I've wanted to use Word Press for awhile. It seems like a better system. However, I'm a little overwhelmed by CSS and PHP coding, which I know nothing about. I need to get the templates in order. Pardon my dust as I try to figure it all out.

SPIRITS INTERVIEW

Awhile ago, my friend Kyle Kondas and I met at Uptown Bar to discuss my work in comics. It's part of his SPIRITS video series (click here for more details).


There was a frame/rate issue. The audio is slightly off in a few areas, but all in all, a good interview. I talk a lot and drink my beer.

UPDATE: The audio has been corrected!