IDW'S HUCKLEBERRY

I ordered a copy of IDW's The Adventures of Huckleberry Finn. The book arrived yesterday in the mail, and I'm greatly disappointed with this edition. IDW's Huck Finn lacks ambition and imagination. IDW had an opportunity to publish an American classic. Instead, it feels like a lackluster money grab, taking advantage of a popular book in the public domain.

First, I want to talk about the absence of ambition. Eric Powell illustrated this Huck Finn, barely. I counted 21 interior illustrations. A 275 page novel, 43 chapters, and there's only 21 illustrations? For comparison, one of the earliest editions of Huck Finn features 174 illustrations. Eric Powell must be a busy person, but I would expect at least one illustration per chapter. After all, IDW is primarily a comic book publisher. It's surprising to see such a publisher use art so sparingly. Also, no serious design efforts were made with the interior. They copy-and-pasted the Word document with little thought to what was possible. The first letter of the each chapter is enlarged more out of tired obligation. Forget the wonderful tradition of finely designed dropped capitals. I will give them this, the text is clean and readable. (Additionally, I'm a little disappointed they omitted the chapter titles, but they aren't the first publisher to do this.)

Second, Huck Finn is a tremendous adventure story, highly imaginative. It's a shame IDW and Eric Powell weren't able to keep pace with Mark Twain. With the illustrations, Huck's face is often hidden from the reader. He is shrouded in shadows or completely in silhouette, sometimes his back is to reader or the image is from Huck's point of view. If this is a conscious artistic choice, it is the wrong one. Mark Twain shows us Huck on every page -- his thoughts, his voice, his life. To hide our protagonist is, at best, a failed gimmick and, at worst, it attempts to undermine Twain's efforts. The Duke and King earn Powell's attention more than Jim. We have one illustration of an uncharacteristically stoic Jim (has Powell read the book?) on his knees and then Jim fleeing from gunshots with Huck and Tom. There are so many opportunities to humanize both Huck and Jim. Powell avoids humanity and opts for the most bland approach. Some of these illustrations are "phoning it in" -- a pocket knife on page 6, Pap's boot print on page 21, close up of the axe on page 38, and the fish skeleton on the last page.

Eric Powell is a great artist. Unfortunately, we get so little from him. It's not fair to blame Powell though. He's the hired gun. IDW's HUCK FINN ultimately fails, because the editors Justin Eisinger and Alonzo Simon didn't ask for more.

And Huck deserves better.

TSA TARGETING WOMEN

Here's a news story worth reading by CBS DFW on the issue of TSA targeting women for full-body scans. I'm posting a somewhat biased sampling of the comments. However, if you click on the link, the comments section is worth reading in its entirety.

"I am chosen every single time without fail. It doesn’t matter what I wear, how much, how little, how dull or provocative, how I wear my hair, how 'blendy' I try to be, I am ALWAYS chosen, and ALWAYS by a male. And 95% of the time, the male TSA agent SNEERS at me when I opt out of the scanner. They give me the worst face possible every single time. Then I’m treated like garbage for the rest of the entire process, and there’s no question they’re crude to you and make the pat-downs worse on purpose to punish those who don’t just do whatever they want. I’m so sick of airports, I can’t stand being treated like trash, a criminal." -- Ituri

"I, too am ALWAYS 'randomly' selected for the sexual assault. I always travel with the big, burly hubby who is NEVER selected. The consensus from friends and family is that I’m selected for the size of my breasts. I totally agree but I refuse to reduce what God gave me just so I won’t have to be harassed by these useless perverts. No flying for me anymore!" -- Kim

"The TSA is a JOKE. Biggest waste of an agency there is, period." -- Joey

"Anyone can see that a process by which male screeners get to pick and choose which women and teenage girls go though a machine that shows the victim’s naked body to the man’s buddies in the back room will be abused. It defies explanation how TSA could have instituted such a sexually exploitative procedure. TSA set us up to be victimized and harassed. TSA, get your filthy hands out of our pants and stop creating nude images of our bodies!" -- Sommer

Sam says:

"tsa is doing an excellent job not one plane has gone down do to terrorist activities. bad guys won’t even try…thats how good tsa is.. lets all be real tsa is here to stay why even fight it? private companies will never take over."

And I love this response by Jayce:

"I have this magic rock, and it prevents tiger attacks. Since I started carrying this rock 20 years ago, I have not been attacked by a tiger, not once! Would you like to buy my rock? Its only $1,000. You can avoid tiger attacks, as well!"

From Bill Fisher:

"Anyone who travels a lot sees how TSA targets younger, attractive women. This has been going on over a year and often the passenger doesn’t realize she is part of the TSA screeners entertainment. I’ve seen them single out young girls just so the males can watch her get a groping pat down.

This is the abuse you get when you have a corrupt unaccountable agency whose workers think they are above the law.

In 2011 there were 62 TSA screeners arrested for serious crimes, including rape and murder. Of these, 11 were for sex crimes involving children and 4 for smuggling contraband through security There have been 4 arrested in the first month of 2012 and TSA is on pace to for another 60 crimes this year.

TSA hiring standards state that the worker may not have had a criminal conviction in the past ten years but exclude juvenile convictions when the applicant becomes 18 even if the conviction is less than a year old. Often, those caught in these crimes are found to have recent criminal arrests that weren’t discovered in the hiring process. Consequently, many TSA workers have criminal histories but we’re supposed to trust them with airline security and control of our belongings"

MY FRIENDS VS. KEVIN SMITH'S FRIENDS

Kevin Smith. What the hell. Sometimes, you strike gold -- and other times, you, kinda, I, don't, just, what the hell. Your comic book store reality show Comic Book Men is a good idea, but like many good ideas, it's not all that original. And your execution falls short. As Ron Marz so aptly tweeted: "Comic Book Men" seemed to be scenes of guys standing around talking, intercut with scenes of guys sitting around talking. I would like to substitute this AMC reality show with a web-based scripted series, The Variants. Yes, I'm saying it: My friends at Zeus are superior to your friends at Secret Stash.

On day one, I watched Variants to support Richard, Barry, Keli, and Ken. However, after the first episode, I knew it was good -- and it only gets better. Certain truths emerge from this scripted series that are woefully absent from your reality. Variants is witty, worth multiple viewings to catch some of the wordplay you may miss on the first pass. The guest appearances of Scott Kurtz, Dave Crosland, Ben Templesmith, Joe Eisma, Brent Peeples, James O'Barr, and Mark Waid are genius. The satire is nuanced. By season two, the comedic timing of this ensemble cast finds its rhythm and is perfectly in sync.

Yes, I'm biased, but so are you. What my friends did with a shoestring budget and a YouTube account far exceeds what you attempted with AMC and the good faith of your long-suffering fans. Variants reflects the actual diversity found within the comic book industry, unlike your cringe-inducing TV show. As mentioned in The Beat, regarding Comic Book Men: "For anyone who has never been in a comics shop, the Land of the Misfit Boys portrayal will just reinforce every stereotype they ever had." Is that really how AMC views the comic book industry? Is that how YOU see it? My advice: Spend some time with my friends. Season three is coming soon.

I HAVE SKILLS... MARKETABLE SKILLS.

Yesterday, I updated my LinkedIn account. The site told me I was only 90% complete. Since I would hate to go through life being only 90% complete, I decided something needed to be done. LinkedIn said if I added "specialties" they would give me 5%. (If I get a third recommendation, that's another 5% and I'm ready to party.) LinkedIn is a mysterious creature. First, I'm not a fan of the merged words like "MySpace". That mid-word capitalization drives me crazy. "Facebook" is okay, because the potentially rebellious "b" stays submissive. Second, the navigation on this site is odd. It's an unnaturally text heavy site. Third, I don't know what to do with LinkedIn. I accept connection requests from people I know, and that's about it. LinkedIn must be worthwhile. Somebody somewhere told me it was. If potential clients use it to stalk me, then I want to look good.

Back to specialties. I resisted the urge to go all Napoleon Dynamite and talk about my nunchuk skills, bow hunting skills, and computer hacking skills. (Girls only want boyfriends who have great skills.) Instead, I opted for "human interest, variety and alternative entertainment, geek/pop culture, nonprofits, web content esp. Word Press 3.0+"

Human interest -- Is this the journalism equivalent of saying "I have people skills?" Call me on this one if it's a goofy specialty to put on LinkedIn. However, yes, I think I'm good at writing about people. I love talking with someone and learning all about them. I got Tammi True to talk about some extremely personal stuff after she had sworn off all media contact decades ago. Let's call that a skill.

Variety and alternative entertainment -- This might need an explanation. I've written about burlesque, and I'm currently researching renaissance faires. Both of these things are a type of variety entertainment, pulling from the tradition of sideshows and vaudeville. I would enjoy writing more about stand-up comedians, guerilla theater troupes, flash mobs, street performers, half time entertainers, freak shows, acrobats, contemporary circus, jugglers, caricaturists, puppeteers, drag queens, ventriloquists, rodeos, magicians, fortune tellers, dare devils, unicyclists, stilt walkers, mall santas, living statues, clowns, mimes, and fire dancers. TV, film, literature and music are pretty well covered by the media. I'd be happy to make this one of my beats. Consider it a skill in the making.

Geek/pop culture -- How many times did I watch the Avengers trailer? My collection of Fantastic Four comics alone should give me sufficient geek cred. You want to talk Star Wars, LOST, Lord of the Rings, D&D, or Harry Potter? Bring it. I'm best with indie/small press comics, but no need to get so specific on LinkedIn.

Nonprofits -- Throughout college, I worked as program director for the Wesleyan Campus Ministry. I served on the advisory board for La Reunion, and I even tried to put together my own nonprofit. It wasn't a rousing success, but I read a lot and learned a lot. I would say I know more about 501(c)3s than the average person, so let's add this as a specialty.

Web content esp. Word Press 3.0+ -- You can call "foul". I'll admit that saying I specialize in word Press is kinda like saying I specialize in P.O. Boxes. Having one doesn't necessarily make me an expert. Yet, if a client needs me to use Word Press, I'm fearless.

Here's my LinkedIn profile. I'm open to any suggestions for making myself more appealing to corporate stalkers.

SOLIDARITY IN THE FIGHT AGAINST A WORD

In 2008, Tim Rogers posted a commentary on why the word "metroplex" needs to die. More recently, there's been debate on Twitter ("dork fight") between Tim and Texas Monthly editor Jake Silverstein about the m-word. With respect to Silverstein and his wonderful publication (call me), I agree with Tim. It's an awkward and unnecessary word. Worst of all, it sounds dated. I imagine Charles Eames using it for one of his corporate promotional videos: "Come to where the fun is. Come to the... METROPLEX!"

As a sign of solidarity, I've gone through my blog -- and I've assassinated the word wherever it appears. Out of 1,210 posts, I only used the word twice. Ironically, I've used the word twice in this very post. Maybe I didn't assassinate the word; I relocated it. I quarantined the word. Here. Where I can keep a close watch over it.

For most citizens of the greater Dallas Forth Worth area, it's a goofy discussion. However, as a person who owns the most recent edition of the Associated Press Stylebook, as a person who downloaded a dictionary flashcard app for fun, I care about words. I like how certain words sound. I have favorite words. I view adverbs with suspicious glances and believe transitive verbs kick ass. I'd probably blog more if I didn't waste so much time trying to eliminate unnecessary instances of the word "that". I still don't like using "blog" as a verb. And I refuse to acknowledge "vlog" even exists. "Tweet" is growing on me. But the m-word needs to go.

BECAUSE WIRED SAID SO

I finally bought an eReader. Not the Kindle or Nook, I went with Kobo. Why? In the January 2012 issue of WIRED (p.45), Tim Carmody rated the Kobo Touch as best among the digital ink tablets. The dude knows his stuff. I agree with his assessment that the world is big enough for both eReaders and full-fledged tablets. If I want a larger screen for Angry Birds, then I'll buy an iPad. What I want from Kobo is a handy device to ease the burden on my strained book shelves. I love paper too, but not everything needs to be bound printed material. Kobo is intuitive with a highly responsive touch screen. With other eReaders I looked at, there was always a moment when I got lost in the navigation. Whereas with Kobo, I didn't have this problem. I like that the Kobo syncs with other devices (computer, smart phone, etc). So, if for some reason I'm away from my eReader, I can still access my books. I also think the "Reading Life" program is cool. I can earn badges for reading. Shut up. It's cool.

The only drawback? The "over 2.5 million books, newspapers and magazines" is a bit misleading. It's more like "over 2.499999 million books plus 20 newspapers and 12 magazines." I'd love to read the New Yorker or Atlantic (and D!) on Kobo. Hopefully, they'll be onboard eventually. The New York Times is available, but I just can't justify $19.99 a month for it. That's $240 a year. Still, it's only slightly more expensive than a monthly subscription to the Dallas Morning News. I might try out the two week free trial.

"The lyf so short, the craft so long to lerne." Geoffrey Chaucer

NEW LOGO

My rockstar artist wife designed the new logo for my website and business cards. I think the logo looks great, nice and simple, partnered with the portrait by my friend Dave Crosland. I'm getting ready for June 2012... more on that soon. I've ordered 20 copies of ONE NIGHT STAND and should have 20 copies of the complete ASTRONAUT DAD ready for STAPLE! April and I reserved our hotel room. We're set. No other conventions planned yet.

I'm also working on a new story for D Magazine about Scarborough Renaissance Festival, which I should have finished by the end of the week.

Not much else to report.

IN[K]DEPENDENT: COMIC AND ZINE ART

This Friday, January 27th, will be a panel discussion and reception for the In[k]dependent: Comic and Zine Art exhibition that my friend Josh Rose co-curated with Iris Bechtol at Eastfield College. The panel discussion is from 6 PM to 7 PM in G101 and features comic writer David Hopkins (that's me) and artists Esther Pearl Watson and Mark Todd.

I will be talking about my mini-comic projects SOME OTHER DAY, MINE ALL MINE, ONE NIGHT STAND, AN ILLUSTRATED COMPANION PAMPHLET, DANGERZONE DAVE VS THE REALISTIC DOLPHIN, and FIGHTING DAVID PARROT -- particularly how I use these projects to experiment with the comics medium.

The reception will take place immediately following the discussion, from 7:30 PM to 9 PM in Gallery 219 (room F219C).

For directions and further information, click here.

IRISH MIX

My daughter is interested in our Irish American heritage. My family is only a few generations off the boat (example: They played "Danny Boy" at my great uncle's funeral). Kennedy asks a lot of questions about what it means to "be Irish" and I can't always give her good answers. I default to stereotypes: beer, potatoes, fighting. We get to enjoy St. Patrick's Day more than the average person. The "leprechaun catcher" is a cherished father/daughter tradition. Click here or here or here for more details. Last week, she asked to eat at Bennigan's because she wanted Irish food. Does Bennigan's even serve corned beef and cabbage? I don't know. We went to J. Gilligan's, which is the best I could find in Arlington. To my surprise, they had an Irish folk band playing.

Honestly, I'm not usually a fan of Irish folk music -- or of people wearing green plaid kilts or that stupid, stupid Riverdance. Mostly, it's my aversion to Riverdance. If I could, I'd raise up a horde of leprechauns to drive them off the touring circuit forever. However, that night, I enjoyed the fiddles and flute. Afterward, Kennedy wanted a mix of Irish music from iTunes. All I could think of was Flogging Molly, House of Pain, and Sinead O'Conner. I probably need to work on that mix a bit more.

HUNGRY AND WIRED

We need a word to describe the vicious cycle where a consumer fixates on a piece of technology (or other cool new whatever) by stalking it online. After watching all the demo videos, he eventually cannot contain himself and must buy it. Then the consumer integrates the technology into his daily life and starts stalking something else online. The verb should be "galactize" -- taken from Galactus, devourer of worlds. Right now, I'm galactizing the Kobo Touch. Feel free to use the word in your daily conversations.

----- In keeping with "tech hunger," April sent this particular THIS AMERICAN LIFE story to me.Mr. Daisey and the Apple Factory (well worth a listen)

RETURN TO STAPLE! THE INDEPENDENT MEDIA EXPO

My dramatic return to STAPLE! is nigh. (Yes, I said "nigh.") I'll have a table in the exhibit hall. It's a great show in a great city. If you live anywhere within 200 miles of greater Austin area, I'd recommend making the trip. I'm planning to have copies of ONE NIGHT STAND (a nicer 6x9 printing through Lulu). We're still fine tuning the complete ASTRONAUT DAD graphic novel. Hopefully, we should have it ready by March. Beyond that, of course, I'll have copies of ANTIGONE, KARMA INCORPORATED, and EMILY EDISON. I'd like to bring some of my other writing, but I'm not quite sure how I'd present it. I received this update from Uncle Staple, the founding father and organizer of the annual event.

Greetings from STAPLE! The Independent Media Expo!

We've been working hard to make this, our 8th annual show, the best one ever, and have lots of big announcements to make.

Once again STAPLE! will be two full days, March 3 & 4, 2012, of awesome exhibitors, programming and fantastic special guests!

Guests like:

Cullen Bunn and Bryan Hurtt, are creators of the critically acclaimed horror-western comic The Sixth Gun, from Oni Press, and their previous collaboration, The Damned, a story of prohibition-era gangsters and demons, is being developed into a television series by Showtime. Cullen's writing has been published in novels, Marvel Comics, and dozens of magazines and anthologies. Bryan got his start in comics working on Greg Rucka's Queen & Country. We're very excited to have these awesome up and coming talents joining us at STAPLE! Visit them online at www.cullenbunn.com and thehurttlocker.blogspot.com/

Kagan McLeod is is a Toronto-based illustrator whose work has been published in magazines such as Entertainment Weekly, The Hollywood Reporter, Time, People, Glamour and GQ. His debut graphic novel Infinite Kung Fu, an epic homage to chop socky films of the '70s, was published by Top Shelf Productions last year. It has been named one of the best graphic novels of 2011 by Publishers Weekly, Heeb Magazine, io9, CNN, Comic Book Resources, Complex, USA Today, Forbidden Planet International, IFC, ComicsAlliance, 11o'clock Comics and the Graphic Novel Reporter. See Kagan's amazing work at www.infinitekungfu.com/ and kaganmcleod.com/

This year we'll also be hosting a panel discussion entitled Women Who Do Webcomics featuring these terrific artists:

Monica Gallagher, designer, illustrator, and comicker from Baltimore, and creator of Gods & Undergrads, Boobage, Lipstick & Malice, and Bonnie N. Collide. She currently finished illustrating a full-length graphic novel for Oni Press! eatyourlipstick.com/

Liz Prince is creator of the Ignatz Award-winning comic Will You Still Love Me If I Wet the Bed? and Delayed Replays (Top Shelf Productions). She also draws comics about music for the website If You Make It and the magazine Razorcake, and more at lizprincepower.com/

MariNaomi is the author and illustrator of the graphic memoir Kiss & Tell: A Romantic Resume, Ages 0 to 22, and self-published seven issues of Estrus Comics (1998-2009). Her work has appeared in I Saw You: Comics Inspired by Real Life Missed Connections and Action Girl Comics. She has regular columns on TheRumpus.net (Smoke In Your Eyes) and sfbay.ca (Frisco al Fresco). http://marinaomi.com

Full guest bios and more at www.staple-austin.org

We've got lots more exciting stuff in the works, so stay tuned for more news coming soon and be sure to like us on Facebook www.facebook.com/stapleaustin

STUFF FOR MY BRAIN

Books on my shelf:A Writer's Coach by Jack Hart, The Anti 9 to 5 Guide by Michelle Goodman, My So-Called Freelance Life also by Michelle Goodman, On Writing Well by William Zinsser, The New New Journalism by Robert Boynton, How To Write A Sentence by Stanley Fish, The Associated Press Stylebook 2011, 2012 Writer's Market, Good In A Room by Stephanie Palmer

Magazines I subscribe to: The New Yorker, The Atlantic, Writer's Digest, Columbia Journalism Review, D Magazine

Other subscriptions: Letters In The Mail (The Rumpus)

TAMMI TRUE AND OTHER UPDATES FOR A NEW YEAR

For 2012, my writing time will be divided between one major project and (hopefully) more work with D Magazine and maybe a few other outlets. The major project? I'm glad you asked. You may remember the feature I wrote in March about Tammi True. I'm expanding the article and writing a full biography about this darling of Dallas burlesque. I've been meeting with her on a regular basis, and we've developed a nice friendship. (I also helped her get in touch with Katie Dunn at AMS Pictures. They're working on an exciting television property. I've asked, just short of begged, to sit in on the filming.) With comic books, I have a collaboration with Brent Schoonover that we're soliciting. I'm trying to not overwhelm myself with too many comic books projects. Brent and I are still fine tuning the collected ASTRONAUT DAD, and soon we'll investigate some digital opportunities for the graphic novel. I have a short story in OUTLAW TERRITORY VOLUME 3. It's finished, just waiting for this Image Comics anthology to be released. I've tried to find a new home for WE'VE NEVER MET, possibly retitled INKLINGS, without much success.

I'm also brainstorming a prose fiction project, which I probably won't even start until the summer. The plan is to use Kickstarter and make it available to the backers, like a subscription. It would be released in ten monthly installments over the year. I still need to figure a few things out, but it should be a lot of fun. Something different.

GOODBYE YEAR OF THE RABBIT. HELLO DRAGON.

I have a small cardboard box next to my desk. The box contains a jumble of wires, adaptors, and chargers for a variety of equipment, some that I still use and some that have been obsolete for years. What started as a box of useful cords became unwieldily. Like accidental art, it shifted away from any discernable function. Yesterday, I decided to clear the box and only keep cords that I knew had purpose. I feel like this past year had a similar theme. 2011 was a year for connecting to what's most important and letting go of the clutter. I married April, my dearest friend and partner. We had a beautiful wedding -- more about that here. With my career, I looked at the next few years and focused on some specific freelance writing goals. (Sorry for the vagueness. I'll explain later in 2012.) At the same time, I scaled back on the comic book projects. And after a huge investment in starting the Chess Club of Arlington, I realized that it wasn't going to happen. I'm dismantling the nonprofit end of the organization.

2011 was about priorities. 2012 is about moving forward. I consider myself very fortunate that I've had the opportunity to start over, make transitions, and still hold on to the essential stuff. 2011 was the culmination of the past five years. It was an exciting year.

Previously: 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010

Memorable events for 2011:

* April and I got married. * Dallas Mavericks won the NBA championship. * Published four stories with D Magazine * Trip to family reunion with Kennedy * Bachelor party * Visited Saint Louis for the World Chess Hall of Fame opening * Balloon room (installation by Martin Creed) at Nasher Sculpture Center * Santa Rampage

Favorite comic books I read in 2011:

* Paying For It * 20th Century Boys * Life With Mr. Dangerous * Habibi * Mr. Murder Is Dead * Axe Cop * 99 Days

Favorite TV Shows I watched in 2011:

* Friday Night Lights * The Walking Dead * Parenthood * 30 Rock (still) * Portlandia

Favorite movies I watched in 2011:

* Captain America: The First Avenger * Bridesmaids * The Hudsucker Proxy * Crazy, Stupid, Love * 50/50 * Melancholia * The Artist

Favorite food for 2011:

* Flank Steak from Potager

Favorite music I listened to in 2011:

* The King is Dead, The Decemberists * Bringing It All Back Home, Bob Dylan * Bon Iver, Bon Iver * Secrets from the Future, MC Frontalot * XX, The XX

WORKHAUS LODGE

With semester finals on Monday and Tuesday, my Christmas vacation officially began today -- and I spent it working. I visited the Workhaus Lodge on Greenville Avenue. I've read a bit on co-working and I wanted to try it out. When I'm home in the office, I get easily distracted by Twitter, Facebook, Chess.com, Age of Empires, dishes, laundry, letting Berkeley outside, bringing Berkeley back inside, letting him out again, snacking, and a variety of other shiny objects vying for my attention. I hoped that a change of location would make me more productive or at least give me a stronger sense of "being on the clock." Here are some observations. 1. This place smells like the Wesleyan in Commerce, Texas. One of my favorite jobs was working as a program director at the Wesleyan when I was in college. I have fond memories of that old building. So yes, for me, old building smell is a good thing. I don't want to spend too long trying to analyze the musky fragrance. Mildew plus a hint of mothballs? I don't know. It's nice. 2. Parking wasn't too bad, but I think I still parked in the wrong place. I didn't get towed, so that's something. 3. It's pathetic that I was more excited about the 7-11 directly across the street than the Gloria's next door. 4. I thought it might be a little empty with Christmas in a few days, but there's plenty of people here. I wonder how crowded it gets during other times in the year. 5. Not that I've been listening in on other people's phone conversations, but their jobs look (and sound) more official than mine. They are doing w-o-r-k. I've spent the past few hours writing. Do other writers feel this way? Maybe I'd feel more official if I made more phone calls? 6. The couch behind me looks more like a bed. Let's not fool ourselves. It is a bed. Do people ever nap there? That might be awkward in a co-working situation. 7. I'm suspicious of the books and magazines on the shelves. The Fountainhead, two large books on Einstein, a hardcover on modern glamour, and interior design magazines, most of them with a thin layer of dust -- do the people here actually use these books? If I worked here more often, could I bring my own books? This place needs some Calvin and Hobbes. 8. They also need a conference room. Apparently, they're on it. 9. I don't know if I was any more productive here. If anything, I couldn't do some of the usual pacing and mumbling that I undertake while working. However, if I were home most of the time, it'd be nice to see other people occasionally. 10. The people here seem friendly and focused. Good atmosphere. All in all, I like it.

By the numbers...

Hours spent at Workhaus: 3.5 Words I've typed today: 1,588 Blog posts made: 2 (including this one) Tweets: 2 Trips to 7-11: 1 Trips to bathroom: 3 Trips to Chess.com: 1 Trips to Facebook: 2 Ounces of Coca-Cola: 20

NEW DOT COM, OLD CHRISTMAS TRADITION

Yes, I've moved everything from Antihero Comics dot com to That David Hopkins dot com--a new look, that's still not completely set--but that doesn't mean I can't continue some old Christmas traditions. It's the 7th annual posting of O Holy Night (trainwreck version). Share the song with someone you love. Fun fact: Seven years is old for the Internet.

Good cheer to you and your family! Merry Christmas, Happy Rohatsu, and a Happy New Year!

MARLOW GRAPHIC NOVEL AVAILABLE

My friend Aaron Nelson has his graphic novel MARLOW available for pre-order. The details are posted below:

The graphic novel will soon be available in Previews, and is currently available for pre-order on Amazon.com, Barnes and Noble, and other book retailers. "Marlow" collects two stories: "Soul of Darkness" and "River of Symbols" as one complete story arc.

* The graphic novel is 119 pages * Retail price of US$14.95 * Diamond Code SEP118014 * The ISBN Number is 978-1897548301 * Release date is February 28, 2012.

Summary Marlow is a zombie story inspired by Joseph Conrad's "Heart of Darkness". It's about one man's journey into the darkness of his soul, and his discovery that perhaps we're all zombies. Marlow is an ex-Marine caught in a dilemma impossible to solve: commit atrocious acts for a global corporation in order to receive medicine that keeps him from reverting to a zombie state, or walk away and suffer the fate of becoming some terrible creature. Struggling with his fears of his affliction and the monster he might become, Marlow abandoned his wife and young daughter, losing his dignity and freedom as he chose a nihilistic life. It is only during this journey told in the story that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one. "Marlow is a zombie tale about suffering and its part in our humanity.

Reviews of "Marlow: Soul of Darkness"

“Not your typical zombie tale, and surely one that will stick with you given the war-torn state the world is in today, MARLOW is definitely worth seeking out.” — Ain’t It Cool News Comics

“Marlow may be a zombie himself but he is still all to human. It is easy to feel connected with him. You will feel drawn to him this man who could be you if you lived in his world. His world filled with action, excitement and zombies.” (4/5 Stars) — Jazma Online “This issue read like a script of a movie. This story would make an action packed ride on the silver screen, just a thought. Report Card- A-” — Comic Book News #132

CREATIVE KIDS ART SHOW GALA

My friend Erica Stephens is working with my other friends at ArtLoveMagic to host an exciting event called the Creative Kids Art Show Gala 2011. Here's the press release:

On December 19, experience an unforgettable night as the Hilton Anatole, along with the freestyle art squad from the Just-Us League, presents the Creative Kids Artshow Gala 2011! Two worlds collide when members of Dallas’ edgy underground art community join Dallas socialites for an evening you won’t want to miss. Beneath the Nebula in the atrium, a diverse assortment of artists from the Just-Us League will be working in various mediums creating several holiday-themed pieces in only 111 minutes! Then, to top off the night, all eleven artists will come together to create a larger-than-life portrayal of a snow-frosted landscape of downtown Dallas. Completing their first collaborate mural on January 11, 2011, these artists pride themselves on coming together “for the power of one,” - this diverse crew of professional and amateur artists deeply roots itself in the number one. The Just-Us League’s founder Jerod Alexander was the artist behind an eye-catching wall mural in the current Gaultier Exhibit at Dallas Museum of Art (DMA), and has since been commissioned to create the official Gaultier show poster that will be sold in DMA gift shops until February 2012.

All pieces created that evening will be available during the live auction, with proceeds benefitting ArtLoveMagic (ALM), a non-profit organization that produces free art workshops for children in Dallas through their Creative Kids Art Supply Fund. At 10PM there will be a special presentation on the Jade Pavilion by the celebrity host and the Anatole’s general manager Harold Rapoza to JUL and ALM.There will be surprise performance acts by dancers and musicians alike in addition to all of the live art creations, and all of this spectacular entertainment will be amidst the opulent Christmas decorations that the Hilton Anatole will have up throughout the month of December. The month-long Christmas at the Anatole celebration has an assortment of events, food and drinks, and special packages that have been custom tailored for this time of year.

We know you’re curious, so come watch this motley crew of underground artists come together for charity at the Hilton Anatole on December 19, 2011 from 8PM – 12AM. A live DJ and cash bar will be available for entertainment and cocktails. The event is free, and complimentary valet is also available at the Tower Entrance.

There's an event link through Facebook, but I can't find it right now. You're smart and capable. You can find it.